Saturday, April 19, 2008

Book 13: Wives and Daughters

There was a natural progression in moving from Jane Eyre to Wives and Daughters. Its author, Elizabeth Gaskell, was a contemporary and close friend of Charlotte Bronte. In fact she wrote Bronte's biography, which I may attempt to read at some point in the future (I borrowed it from the library but you should see how tiny the print is!).

Molly is the half-orphaned daughter of Dr Gibson, raised to be quite a sensible and engaging (if shy) young woman. When invited to be a temporary companion to Mrs Hambly, the ailing wife of the local squire, her gentle and empathetic nature impresses itself on the entire household, including the rough-natured squire and his sons Osborne and Roger. Osborne is considered to be the genius of the family, whereas they view hardworking and good-natured Roger as a bit of a "plodder". However it soon becomes clear that Roger's strength is not the Classic fields of learning but progressive science and maths, and he soon makes a name for himself amongst the scientific community. His kind nature endears him to Molly and she quietly falls in love with him.

Circumstances at home seem to require Molly have a chaperone and the doctor somewhat unwisely plunges into marriage with Hyacinth Kirkpatrick, a widowed schoolmistress with a daughter of her own. Her somewhat vapid and selfish ways soon become a trial to Molly and her father. For Molly the greatest advantage in the marriage is that she gains a new sister, Cynthia, a beautiful, outspoken and strong-willed young lady with the ability to make all men drop at her feet. Molly's love for her new sister is strained when it becomes evident that Roger has fallen for Cynthia. But Cynthia also has a secret engagement with the unscrupulous Mr Preston, one that threatens to ruin not only her reputation but Molly's as well.

I suspect my going from Jane Eyre to Wives and Daughters was a bit of a disservice to Gaskell - she does not exude the same unorthodox passion and willpower that Bronte does. Essentially this book is just as much about family relationships as romance and society and in fact feels a bit like a wordier, Victorian version of Austen's Mansfield Park. Some of the characterisation is thoroughly enjoyable - Hyacinth is perfectly awful and the Squire Hambly is a wonderfully rough character. All in all it's not a bad read, although somewhat wordy.

No comments: